Film critic and presenter Mark Kermode explores the fascination and praise audiences, fans and critics have behind the classic The Shawshank Redemption (1994) and how its importance grew higher over the years despite being an overlooked film when it was released and not getting any Oscars victories when it was nominated as one of the Best Pictures of the Year.
这部电影值得看
回到斑驳不堪的俄亥俄州取景地,出狱人员现身说法,认可《肖申克的救赎》对监狱环境刻画之写实;更有趣的部分当然还属关于该片如何在表现惨淡的上映后从获得奥斯卡七项提名开始,借助录像带和新生的互联网成为无冕之王。
编剧脑洞大开,设定既新奇又合情合理。
Andrew Abbott拍的的《“肖申克”:被救赎的电影 Shawshank: The Redeeming Feature》,从剧情风格到配色配音我本人并不太喜欢,但不得不说,会抄也是一种本事,《“肖申克”:被救赎的电影 Shawshank: The Redeeming Feature》至少比某些天马行空胡乱自创影楼装服饰满天飞的剧要好的多。
这就是我心目中最完美的夏日消暑神作。
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